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@Inside Job wrote:
Thanks for bringing my attention to this.
And thanks to you for looking out for us.
Tom
And, for those still needing a copy, the Koch CD release also shows up fairly regularly on eBay, usually for a reasonable price…
Tom
@badjuggler wrote:
Thanks for the post! Carrie was scheduled to play at the Varsity Theater here in Minneapolis the same night and I was bummed I would miss her since I already had Lu tickets. Very excited she will be here Wednesday!
Nice! You get a “two for the price of one”!!! 😉
Tom
@badjuggler wrote:
And to carry the chicken analogy one step further, if the chicken wing guy had actually RAISED the chickens (like Lu has raised her songs) he would feel more of an emotional attachment and the whole chicken experience for him would be much more personal and emotional.
Brad
😀
Tom
@DavidK wrote:
So has anyone figured out how we’re supposed to get our studio version of “Bone of Contention” if we ordered Little Honey from Amazon? I checked my Amazon digital locker and didn’t find anything. Didn’t receive any kind of email notification either. Not cool, Amazon. 😐
Nothing here, either. Still waiting… 👿
Tom
@janka wrote:
Rolling Stone had a profile of Lucinda in the last issue. It mentioned a 5 song protest song EP being released 10/28 available as a download only. Bone of Contention, Master of War and I forget what else. I was really hoping I’d see it available today from the downloads section of this sites webstore.
It’s available from either Amazon.com (MP3 Downloads) or iTunes Music Store. In both cases, (unfortunately for those elsewhere) in the U.S. only.
Tom
@Lefty wrote:
Pop Notes
Hynde Sight
by Ben Greenman
The New Yorker, October 6, 2008The title of “Boots of Chinese Plastic,” which leads off the Pretenders’ new album, “Break Up the Concrete” (Shangri-La), alludes to Bob Dylan’s “Boots of Spanish Leather,” but the song’s propulsive rhythm and surreal lyrics mark it as a close cousin to another Dylan song, “Tombstone Blues.” In just over two and a half minutes, the lead singer and songwriter, Chrissie Hynde, touches on everything from reincarnation to the global marketplace to the difficulties of ethical living.
During my 3 or 4 listens to Break Up the Concrete, I have really enjoyed this song – so far, it is my favorite on the album…
Tom
She did play “I Just Wanted To See You So Bad” & “Crescent City” on the Webcast.
And, she has played others (like “Side of the Road” & “Changed the Locks”, e.g. – the latter a lot), not to mention (OK, I mentioned it 😉 ), it was one of the five albums played in LA & NY last year. So, other than it being currently out of print, I do not think there is any other problem with the rights, etc., or am I missing something?
Tom
@Inside Job wrote:
This DVD is a bootleg. It is not an authorized release.
You mean, of course, the “Cowgirls Get the Blues” DVD, right? The one linked in the first post in this thread, the 1989 ACL one, it is legit, correct?
Tom
@WebMASTA wrote:
I walked away really happy.
Cheers,
Ralph Cavallaro
Lucindawilliams.com Webmaster
New Reach ConsultingSo did I, Ralph, so did I… 😉
Thanks again to you & all others involved.
Tom
@stevarino wrote:
Hey Tom,
Sorry to misinterpret your mood. Sometimes its hard to know the writer’s emotion from the written word, at least for me. At the end you said you were getting off your soapbox, that’s probably why I interpreted some level of emotional content to what you had written.
Hey, no problem at all, Steve. I agree, mood is a very hard thing to discern online. And, I just compounded the problem I am sure by starting off my post by addressing it to you, then continuing on with some thoughts and feelings I’ve been having in general about some things that have been discussed elsewhere here and that weren’t directed specifically to you. Confusing, I know.
And, hey, I kinda liked my “chicken analogy”. Kinda lame, sure, but that was the point – art isn’t market driven like food. Or something like that… 😳
Those NY shows sound like they were cool. Wish I would’ve seen them.
Tom
@Disco Stu wrote:
I’d love to get to enjoy a similar webcast again in the future.
I’ll second that. 😉
Tom
@stoger wrote:
Still, I can’t bring myself to plow through the 70-some (and counting) feedback posts about this on the Forum.
Really no need to, stoger – at least not the first 4 1/2 pages worth. Those are all just pointless “chat” posts by some of us while we were listening to the show. Silly stuff, really, like trying to guess the songs coming up in the second set, etc.
Tom
@stevarino wrote:
Tom,
Peace Love and Understanding, ok? Are you OK? You seem Angry. I’m surmising you are really drunk tonight so I’m just going to let this odd nonsense pass. Yell at me if I’ve mis-interepreted what you are saying. I love the old stuff. I love the new stuff.
Stop Children what’s that sound everone looks what going down.
Steve
Huh? Angry?!?! Not at all, man, not at all. (And, no, I am not drunk).
I’m sorry if what I posted comes across as “odd nonsense”. 😳 It was just a reaction to some other posters’ (not you, necessarily) trying to apply a formula to how much new stuff vs. how much old stuff Lu should be playing on any given night. That, of course, was the impetus for the poll at the top of this thread.
Forgive me if I misinterpreted your post above. To be honest, I didn’t see an obvious connection between playing an old Who album for your kids and the topic of this thread so I tried to read between the lines. I apologize if I misinterpreted what you were trying to say… ❓
Tom
P.S. I re-read my previous post, Steve and, maybe I am nuts, but in no way do I think I sounded angry. 😕 So, what gives? Maybe you’re the one who is drunk??? 😉
