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stogerParticipant
1 Car Wheels on a Gravel Road
2 The Night’s Too Long [with much talk after about Patty L, producer Tony Brown, Robbie Fulks, Nashville’s aversion to “body parts,” etc: the song title Lu can’t remember is “Pretty Little Poison,” by the way, recorded with Fulks]
3 Side of the Road
4 Memphis Pearl [with nods after to the Southern Lit. trinity, viz., O’Connor, Welty, McCullers]
5 Bus to Baton Rouge [Lu pauses to “get my bearings” prior to this one: reflects on her mother wanting to date a Catholic, eventually marrying Miller as her “ticket out”. After the song, she talks about family mental illness and Mary Karr’s book on the topic]
6 Greenville
7 Words Fell [worked up just a few hours earlier]
8 Knowing
9 Stowaway in Your Heart
10 Concrete & Barbed Wire
11 People Talkin’ [with an extended closing riff by Blake for second night running: sweet]
12 Well Well Well [after which Lu says to Blake “you want to tell the people what you’re playing on that one”–turns out to be a 10-string tipple not sure of spelling]
13 Can’t Let Go [Lu got an email from her uncle saying certain candidates were referenced in some article with regard to this song; thus, the words “Mitt” and “Newt” were featured in song last night, though not “Herm”]
14 Drunken Angel
15 Pineola
16 Don’t Let the Devil Ride
17 Changed the Locks
18 HoneybeeEncore I Ain’t Got No Home in this world
Blessed
Hard Time Killing Floor Blues
Get Right with GodstogerParticipantImpeccable, Grumpy: no setlist corrections necessary. And you got to like that opener: three covers without the f word (Tex; Charles; Williams), three Mills originals WITH the f word. The humor both in Blake’s songs and the Joe Tex cover came through last night, with fine audience response. He was loose and modestly mentioned missing sound check/rehearsal in the name of Conan taping (see the other thread for that). He encouraged the crowd, saying Lu doesn’t like typical LA crowds “with the critics there” etc etc.
The venue was tucked away in what amounted to an office complex, with neighbors like Auto Body USA and Jones Custom Concrete and Masonry and, my favorite, Rock n Roll/Jazz Drums and Guitar School. But it has a storied history; Lucinda mentioned seeing Spirit there in the 80’s. Also good current bookings. I wasn’t wild about the table layout, a less bovine Billy Bob’s it seemed for awhile, but we adjusted.
Skeleton crew, with former monitors guy doing front house sound, new Lu guitar tech (who also handled monitors), same Blake tech, Matt back at merch.
Lu said “I know it’s a pain in the ass” to her new tech when he was having trouble adjusting the stand on the lyric book, then laughed it off. She plugged a book co-written by the late Charlie Louvin called Satan is REal. Happy times.
More soon.
stogerParticipant@tonyg wrote:
I believe the Intrepid Traveler himself, Stoger, is attending tonight’s show. 8)
Right as rain, tony, though it may be Wednesday afternoon before I can post. Word on the street is that grumpymama is southbound, in real time.
stogerParticipantThink it might be podcast over the big screen at the Coach House San Juan Capistrano Tuesday at 8 PT, simultaneous with Blake’s walk-on live opening act?
stogerParticipantGood to see alliteration breaking forth in those new Muth titles, Lefty. And I love “I’ve Been Gone,” despite its blatant lyrical hostility toward the men of west TN. A propos of which, there goes another one to intra-band wedlock; these frontwoman/percussionist couplings among Americana-type artists are bringing me down. That rock on her fourth finger in Louisville last year braced me for the latest post, however. Best to them–I actually have drummer/groom Greg’s cellphone number because I picked up the sound cue sheet from the ground in Bristol last September. I believe I’ll restrain myself from putting it into play, however. Let’s call this upcoming European tour jaunt a pre-honeymoon, and look forward to the third Lost High Roller record coming out soon. . . .
stogerParticipant@bigsubi wrote:
@TOverby wrote:
Yes -we will be in Australia in April, and hope to be in Europe at some point next year.
8) cool, very cool…
Even cooler if I could join you in the Old World third quarter of 2012, bigsubi, no?
stogerParticipant@LWjetta wrote:
If you have a spare $302.98 you can purchase this limited issue box set of 20 LP’s( from Amazon ) in celebration of Lost Highway’s 10th anniversary.
Works out to approx $15.00 / LP.Lu’s Blessed and West are included in the set.
http://theseconddisc.com/2011/10/25/lost-highway-found-on-vinyl-10th-anniversary-box-coming-next-month/
lwj
What, no Essence, WWT, or Little Honey? I would have thought our Lu would have commandeered at least 1/4 of the total material on such a release. . . .
stogerParticipant@Lefty wrote:
Zoe will be performing live on Seattle’s http://www.kexp.org at 7:30 pm on Wed., Jan. 11. Have to assume that’s Pacific Std Time.
And a full half hour after your eastern upstate zone midweek bedtime, Lefty: let’s make an exception for this little gem, OK?
stogerParticipant@tntracy wrote:
While I would certainly love to see digital downloads of live shows, I would NOT want to see studio work released via digital download as the sole source of distribution UNLESS it is made available in uncompressed (i.e., lossless) form. And even then, I would miss the physical CD & especially the liner notes, lyrics, etc.
I very much want to have the future flexibility of re-ripping & re-encoding at higher bit rates as storage amounts increase on my portable players. Purchasing a digital download at say 256 kbps as an example, on the other hand, locks you in at that level of audio quality forever, taking away that flexibility…
Oh, and in the “for what it’s worth” department, fourth post of 2012… 8)
Tom
Count me #1 and #6, Mr. Moderator. Have we heard from our north-of-the-border and Golden State pals yet this calendar year?
stogerParticipantMainly I just wanted to be the first poster of 2012. Yes, it’s been “quiet” hereabouts. Anyway, I assume some sort of in-house label (for lack of a better phrase) is still an option, along with Lost Highway and other existing ones. I believe I’m right that some personnel have left that company, but Luke Lewis remains. Lucky the label which gets to press “Stowaway in Your Heart” and all the others in the making. . .
Happy New Year, all.
stogerParticipant@tntracy wrote:
@punchdrunklove wrote:
i’d stand up in any given concert.
seated shows: the death of music.
While I prefer to stand as well, I wouldn’t be so dramatic as to say that seated shows represent the “death of music”. As much as I like to stand right up front, sometimes my back & knees will not permit it.
Perhaps you, too, will have a different perspective, PDL, once you are in your fifties & beyond… 😉 😆
Tom
Amen, my AARP 18+++++++++. . . North American bro!
stogerParticipant@tonyg wrote:
Stoger, Liz didn’t make the trip. Went shopping with Doug today.
Second show tonight. X on Thursday.
Sheila E. hosted a birthday party for herself at Yoshi’s after the MF show. Major crowd and craziness.
Hope you and Doug had a fulfilling retail experience, Tony. 😀
stogerParticipantExene and Marianne F in the same week: lucky guy. Did you get to chat with Doug and friend too, Tony?
stogerParticipantWell, I got a bit carried away (or else was thinking Ohio/eastern time zone), for it was 10:55 not 11:55 (now corrected) when the first lick was struck. Still, I had leisure to look over the menu multiple times and go with the proudburger (or was it called TheLarryBurger?) around 10:20. “Sway” was performed, round midnight central. I’m sure the Canadians are laxer about ID’s and ages, lwj, so your late teen status should hold you in good stead. Afraid Lefty might get carded or turned away, though. . .
stogerParticipantThe new Heartless Bastards record, entitled Arrow, will be released on Valentine’s Day from Partisan Records out of New York.
We got several new songs early in the set last night, though my request for the earlier “Blue Day” was sheepishly denied me by Erika, something about a particular guitar for that one being “in the shop.” But “Hold Your Head” from The Mountain, with its Jackson reference, was superb. The HB’s have three backing boys now, including the one sideman who played with Erika in front of Lu last spring at Stubbs.
I was hoping to chat with Erika, and the opportunity practically fell in my lap, as it were. The website said doors at 8 music at 9:30, but the joint was nearly deserted with no doors guy circa 9 when I entered. The bartender reckoned “10:30 or 10:45,” with no opening act. After a quarter hour at the bar, I left temporarily to walk the block and kill some time, and upon my return, not only was the whole band at the bar, but Erika was in my very seat! Apologetically she handed me my partially full beverage and made as if to leave, but I stopped that. She didn’t really remember me right off, but some talk about the Minn. wedding and the Austin aftershow (baby racoons in Stubbs courtyard) changed that. I stuck my foot in it with a Fat Possum query (the label is based a few miles from the venue), but we got on fine beyond that. She left to make the setlist, but more loitering ensued and the first song was played at 10:55. I left early (19 year olds can get weary quickly), but it was a fine occasion!
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