Lefty

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Viewing 15 posts - 601 through 615 (of 1,435 total)
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  • in reply to: "The Methuselah of Righteous Cool" #34388
    Lefty
    Participant

    in reply to: Heartless Bastards, 2.0 #36847
    Lefty
    Participant

    Thanks for posting, LWj. “Our girl” sounds in good voice. Is that really a new song? Sounds familiar to me… 😕

    in reply to: guitarist for upcoming shows… #45760
    Lefty
    Participant

    @tntracy wrote:

    @Lefty wrote:

    Welcome, Blake. Looking forward to seeing you “have at it” in the People’s Republic of Ithaca, March 7 🙂

    Lefty – Blake doesn’t join the band until April 29th in Atlanta. You will see Val McCallum play…

    Tom

    Errrr…next time I’ll read your entire post, Blake! Back to sleep now… 😳

    in reply to: Hayes Carll #37701
    Lefty
    Participant

    Hayes Carll has a dry, chapped voice, bolstered and puckered by Texas twang. His music puts forth a fair amount of bluster, steeped in wanderlust or whiskey, or both at once. “Well, I followed my feet all across this land/A tune in my heart and a bottle in my hand,” goes one opening couplet from his fourth album, the title of which features an acronym of unprintable military slang. Those lines come from “Bottle in My Hand,” a bluegrass number with guest vocals by Mr. Carll’s fellow troubadours Todd Snider and Corb Lund. And as often happens in Mr. Carll’s songs, he’s not heading in the direction you might expect.

    Gimlet eyed and smart mouthed, with a self-deprecating kind of swagger, he has positioned himself as an heir to outlaw-country royalty like Waylon Jennings, Willie Nelson and especially Ray Wylie Hubbard, with whom he has written songs and occasionally performed. The gentlest hangdog entreaty here is “Chances Are,” which could pass for a vintage ballad by Mr. Nelson. The most puckish is “Another Like You,” a bickering his-and-hers special (with Cary Ann Hearst holding her own) that recalls the subversively droll songwriting of Shel Silverstein.

    What makes Mr. Carll something other than a torchbearer is the frank timeliness of his lyrics, which draw few distinctions between the personal and the political. He’s a sucker for a tart turn of phrase — his 2008 album, “Trouble in Mind” (Lost Highway), included a tune called “She Left Me for Jesus,” — but he doesn’t let humor get in the way of narrative momentum. The title track pulls off the Dylanesque trick of lacing a comic yarn with bitter subtext.

    And there are at least a few songs here that suggest the rueful side of unruliness, as the hard-drinking guitar slinger indulges in a moment of reflection. Along those lines it hardly escapes notice that on an album redolent of aggressive honky-tonk “Bottle in My Hand” takes such a liltingly acoustic path. (Brad Jones, the album’s producer, switches from piano to upright bass.) The lyrics allude to “trouble at the border and a far-off war/Oil in the water and the shut-down store,” before eventually arriving at a pointed conclusion: “Never had a home. Just lucky, I guess.” [NATE CHINEN/NY TIMES]

    in reply to: guitarist for upcoming shows… #45755
    Lefty
    Participant

    Welcome, Blake. Looking forward to seeing you “have at it” in the People’s Republic of Ithaca, March 7 🙂

    in reply to: NEIL! #33306
    Lefty
    Participant

    “Interesting” is a nice way to put it, tony. I’m just glad that Bob didn’t trip over that bass fiddle on the stage floor… 🙄

    in reply to: NEIL! #33304
    Lefty
    Participant

    NEIL! (after receiving his Grammy): “I’m not Mavis, but I’m close!”
    Apparently Mavis Staples endured a longer Grammy dryspell than NEIL! Congratulations to both.

    in reply to: "The Methuselah of Righteous Cool" #34387
    Lefty
    Participant

    Insanity prevails at theneverendingpool…

    http://www.theneverendingpool.com/component/option,com_fireboard/Itemid,22/func,view/catid,6/id,81176/#81176

    in reply to: BLESSED ALBUM COVER(S) #45222
    Lefty
    Participant

    Seems like it’s been a while, Ripley — how’ve you been?

    in reply to: NEIL! #33302
    Lefty
    Participant

    http://www.rollingstone.com/music/news/patti-smith-the-roots-j-mascis-and-more-pay-tribute-to-neil-young-at-carnegie-hall-20110211

    “Dinosaur Jr. frontman J Mascis was the only artist of the night to truly channel the spirit of Crazy Horse. Backed by a tight three-piece band, he played a fuzzed-out “Cortez The Killer” that was absolutely smoking.”

    My man, J! 8)

    http://www.youtube.com/watch?v=V-G7OMnV478
    http://www.youtube.com/watch?v=tMYoPt07Y0k
    http://pitchfork.com/news/41513-listen-new-j-mascis-is-it-done/

    in reply to: NEIL! #33301
    Lefty
    Participant

    Tonight’s the night…

    “The Music of Neil Young” (Carnegie Hall, NYC), Thurs., Feb. 10

    Patti Smith…the Roots…Nada Surf…J Mascis(!)…Pete Yorn…DeVotchKa…Bettye LaVette, Shawn Colvin…Bebel Gilberto…Aaron Neville…Larry Campbell(!), and many others pay tribute.

    in reply to: "The Methuselah of Righteous Cool" #34385
    Lefty
    Participant

    Bob Dylan to Perform at the Grammy Ceremony alongside Mumford & Sons and the Avett Bros.

    The producers of the Grammys want a show for the ages, but they also want a show for all ages — which is why Bob Dylan will be bringing his acoustic guitar to perform this weekend on the same stage as Justin Bieber, Drake and Katy Perry.

    The official announcement is expected Thursday that the great bard of rock will sing at the 53rd Grammy Awards — which air Sunday on CBS — marking just his fifth performance on the show despite a recording career that dates back to the Kennedy administration. He’ll perform alongside two rising folk-rock bands whose work draws from the same well: Mumford & Sons and the Avett Brothers.

    Dylan is just three months shy of his 70th birthday, but he may bump into some generational peers backstage — Barbra Streisand is scheduled to sing one of her signature 1970s hits, while Mick Jagger’s participation in a tribute to the late Solomon Burke will result in a bit of history, since the Rolling Stones frontman has never before performed on the Grammy stage.

    Dylan’s first performance on the Grammys didn’t come until 1980, when he and his band were greeted with a standing ovation as they played the opening notes of “Gotta Serve Somebody.” That show was also the first Grammy broadcast produced by Ken Ehrlich, who has done every one since; Ehrlich and Neil Portnow, president of the National Academy of Recording Arts and Sciences, have been working to secure Dylan’s booking for months.

    “When you see that name and think about what it represents, those are the things that we want to be part of the show — those are things that have to be part of the show,” Ehrlich said.

    Ehrlich’s plan for Dylan — which, he noted, is “all subject to a certain person’s approval” — is for Dylan to perform during a three-act suite with the Avett Brothers and Mumford & Sons. The former hail from North Carolina and the latter is a British band, and Ehrlich sees a bright line connecting their music to the pioneering push by Dylan to connect folk and rock. Mumford & Sons will perform their soaring, banjo-laced song “The Cave,” which will give way to the Avett Brothers and their pulsing folk anthem “Head Full of Doubt, Road Full of Promise.” Then comes Dylan, but Ehrlich declined to reveal what song he might sing and hinted that it had not entirely been decided.

    “I don’t think either of these bands would be on a stage if it wasn’t for the music of Bob Dylan,” Ehrlich said. “I think for the harmonies alone it should be something special. You don’t know what you’ve got, what the blend is, until you see it, but I think it could be fantastic.”

    It was 46 years ago that Dylan “went electric” and ushered in a new era in rock. While his Grammy history is limited, it has been memorable — it was during Dylan’s 1998 performance of “Love Sick” that a performance artist ripped off his shirt (revealing the words “Soy Bomb” written on his torso) and did a strange spastic dance while the singer continued with his number.

    — Geoff Boucher (L.A. Times blogs)

    in reply to: "The Methuselah of Righteous Cool" #34383
    Lefty
    Participant

    The Good Lord willing, Bob hits 7-Oh(!) this year. First time in Vietnam, I believe…

    4/03/11 Taipei, Taiwan – Nang Gang Exhibition Hall
    4/06/11 Beijing, China – Workers Gymnasium
    4/08/11 Shanghai, China – Grand Stage
    4/10/11 Ho Chi Min City, Vietnam – RMIT University
    4/12/11 Hong Kong – Star Hall, Kowloon Bay
    4/12/11 Hong Kong – Star Hall, Kowloon Bay
    4/15/11 Singapore – Timbre Rock & Roots Festival
    4/17/11 Fremantle, Australia – West Coast Blues ‘n’ Roots
    4/19/11 Adelaide, Australia – Adelaide Entertainment Centre
    4/20/11 Melbourne, Australia – Rod Laver Arena
    4/23/11 Wollongong, Australia – WIN Entertainment Centre
    4/25/11 Byron Bay, Australia – Byron Bay Bluesfest
    4/26/11 Byron Bay, Australia – Byron Bay Bluesfest
    4/27/11 Sydney, Australia – Sydney Entertainment Centre
    4/30/11 Auckland, New Zealand – Vector Arena

    in reply to: Interview with Lucinda on new website #45543
    Lefty
    Participant

    Welcome, Marty. Enjoyed the interview, as well as your “fantasy” playlist 🙂

    in reply to: Louris & Olson #45377
    Lefty
    Participant

    A good read, stoger — thanks for that. Enjoy the evening.

Viewing 15 posts - 601 through 615 (of 1,435 total)