- This topic has 4 replies, 2 voices, and was last updated 10 years, 10 months ago by
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Aquarium Drunkard:
“It’s an album well worth revisiting; not only because of the bonus material, but because of the emergence of Williams as an artist with a unique vision and the pathways that this album would lay out for the next 25 years of her career.”
More at link:
The Village Voice:
“Though she says she doesn’t normally listen to stuff once it’s out, for this occasion she had to make an exception.
“It’s sort of an emotional trip, Williams says. “Seeing my young days, my young self on the cover. The majority of the artists who played on that album are gone now — that makes it even more of a special emotional ride. John Ciambotti, the bass player; Donald Lindley, the drummer. Juke Logan, who played harmonica on ‘Changed the Locks,’ we lost him [last] year. Chris Gaffney, who played accordion on it, is gone; and Doug Atwell, the guy who played fiddle, he died in the ’90s. They’re not here to talk about it and celebrate it. That’s kind of a strange feeling.”
More at link:
http://ht.ly/sC6CQ
The Corner:
“I don’t usually write about reissues, (the massive box sets a given), but this one is of such noteworthiness that I am compelled to do so.”
More at link:
http://www.thecornernews.com/entertainment/wildman_picks/article_868aeff0-7e0a-11e3-90b8-0019bb30f31a.html
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