- This topic has 13 replies, 3 voices, and was last updated 14 years, 10 months ago by
.
-
Posts
-
A 2005 full length (over 2 hours) concert you can listen to on NPR and download as well.
A link to a 2001 interview is also featured on this page.
August 7, 2005 – Lucinda Williams’ performance from the 9:30 Club in Washington, D.C. originally Web cast live on NPR.org on August 8, 2005 as part of a series of live shows from NPR Music’s
http://www.npr.org/templates/story/story.php?storyId=4767023
Setlist:
Ventura
Fruits of My Labor
Those Three Days
Pineola
Drunken Angel
Jailhouse Tears
I Lost It
Knowing
Out of Touch
Still I Long For Your Kiss
Righteously
Where is My Love
Essence
JoyEncore
Lake Charles
Blue
Unsuffer Me
Sweet Old World
Doors of Heaven
Come to Me BabyIndeed – thanks once again, Lafayette! While I haven’t seen any way to directly download the concert audio stream (right-clicking on the “Lucinda Williams In Concert” link on my Mac doesn’t give me the expected “Save as…” option), I can still capture the audio as it plays which is what I plan on doing tonight… 😉
Tom
Same here on a PC, Tom, no save option. Listening now.
The Love Band returns, at least for one night. 😀
I only had the time to FF through the show, I plan on listening tonight as well, later, after everyone goes to bed.
There is a lull with band stuff going on, indecision, switching instruments , whatever, and there is complete silence, so the commentator starts talking as if it’s a golf tournament…something Like “O.K. Lucinda is strapping on her guitar…” You have to hear it to appreciate what i found as humorous.
@Lafayette wrote:
How do you like the color commentary with the announcer? 😆
@Lafayette wrote:
There is a lull with band stuff going on, indecision, switching instruments , whatever, and there is complete silence, so the commentator starts talking as if it’s a golf tournament…something Like “O.K. Lucinda is strapping on her guitar…”
Oh great – that’ll ruin it for me. I can’t stand that kind of stuff. I could edit it out, but that’ll ruin the continuity of the recording (I like gapless live recordings, w/o breaks in even the crowd noise).
Oh well. As I’ve said before, beggars can’t be choosers! 😐
Tom
Flappy was her production manager. He was the guy who came onstage to hand LW her guitar between songs. She always introduced him.
- You must be logged in to reply to this topic.