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We need a translator on aisle 3. Nice snapshot of Lu.
http://www.gp.se/dela/1.1677112-lucinda-williams-pustervik-fredag
Via Google Translate:
Lucinda Williams finds crass from the stage that it was some time before she got a record deal because she constantly fell down into the gap between rock and country. There, she finds herself still and embedded with a little soul, blues and gospel music is of course a perfectly good place to be.
With good game mood and two eminent musicians, Doug Pettibone on guitar and David Sutton on bass, and not least with a handful of newly written songs, she takes an gig at Pustervik. The first song, Passionate kisses, feels more like a way to get started but the trio will soon find their feet. Can not let go and Lost it done with a knixigt turn and Drunken Angel is just so sad and beautiful as you want it to be.
With grandfathers were Methodist preachers, and with the musical roots of predecessors and colleagues as well as Lucinda Williams does not shrink from life’s dark side is all songs about sin and forgiveness, anger, and sorrow, passion and resignation. But all the time with pride as scarlet benchmark.
Fruits of labor is extremely good and the new When I look at the world penetrates the soul away raspigheten in Lucinda Williams voice. Towards the end of the evening, the band pulls up the volume and Williams hanging on to the electric guitar in the equally new Something wicked this way comes, (title borrowed from Macbeth). David Sutton hit with fist against the back of the instrument. No, you really miss not a drummer, this trio manages all shades. The Honeybee lets you through the blues turns into clean, frame grunge and where the gap is filled with even more content. In Joy, which she gave to Bettye Lavette, and Changed the locks are Williams overridden cursed only to deepen the feelings deep in the delta of the Covern Hard time killing floor blues.
The evening ends with Nick Drake’s River Man and utterly chilling version of Hank Williams Cold, Cold Heart. As we saunter into Friday night, it’s not just the heat that makes it feel like to Gothenburg for a little while turned into Baton Rouge.
Tom
@tntracy wrote:
Via Google Translate:
Lucinda Williams finds crass from the stage that it was some time before she got a record deal because she constantly fell down into the gap between rock and country. There, she finds herself still and embedded with a little soul, blues and gospel music is of course a perfectly good place to be.
With good game mood and two eminent musicians, Doug Pettibone on guitar and David Sutton on bass, and not least with a handful of newly written songs, she takes an gig at Pustervik. The first song, Passionate kisses, feels more like a way to get started but the trio will soon find their feet. Can not let go and Lost it done with a knixigt turn and Drunken Angel is just so sad and beautiful as you want it to be.
With grandfathers were Methodist preachers, and with the musical roots of predecessors and colleagues as well as Lucinda Williams does not shrink from life’s dark side is all songs about sin and forgiveness, anger, and sorrow, passion and resignation. But all the time with pride as scarlet benchmark.
Fruits of labor is extremely good and the new When I look at the world penetrates the soul away raspigheten in Lucinda Williams voice. Towards the end of the evening, the band pulls up the volume and Williams hanging on to the electric guitar in the equally new Something wicked this way comes, (title borrowed from Macbeth). David Sutton hit with fist against the back of the instrument. No, you really miss not a drummer, this trio manages all shades. The Honeybee lets you through the blues turns into clean, frame grunge and where the gap is filled with even more content. In Joy, which she gave to Bettye Lavette, and Changed the locks are Williams overridden cursed only to deepen the feelings deep in the delta of the Covern Hard time killing floor blues.
The evening ends with Nick Drake’s River Man and utterly chilling version of Hank Williams Cold, Cold Heart. As we saunter into Friday night, it’s not just the heat that makes it feel like to Gothenburg for a little while turned into Baton Rouge.
Tom
This is it: I am now modeling my own sometimes idiosyncratic (and idiomatic) prose right here on this, courtesy the intervention of tnTracy!
Ha ha ha! I didn’t write it, I just copied, pasted and posted it. Give credit to the true author, stoger: Google Translate… 😉
Gives one the gist of the article though, no?
Tom
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