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Courtesy of Mr. S.:
1 Protection (Lu apologizes at end for the “technical difficulties” during, as guitar tech Justin scrambles around Stuart)
2 Those 3 days
3 Pineola
4 Drunken A (dedicated to “all those tattooed women” Lu has met thru the years)
5 West Memphis
6 Car Wheels
7 Ghosts
8 Lake Charles
9 Sweet World (“what a sad song. . . it helps me process”)
10 Fruits of My Labors
11 We’ve Come Too Far to Turn Around (Lu on guitar, no instrumental break in song as it now stands: “monstrous sickness” is a line I caught this time. After, Lu testifies: “Who says art and politics don’t mix?” and references Phil Ochs, Dylan, Pete Seeger)
12 Are You Down
13 Changed the Locks
14 Dust
15 Foolishness (crowd finally gets on feet)
16 Essence
17 Honeybee
______________________________
[Lu comes back out disparaging the “moat” in front of her and encourages audience to flow forward and stand]
18 Got Love if you Want it (with talk of Slim Harpo’s influence on Stones)
19 Joy
20 Righteously (with second Lou Reed reference of night as David “walk[s] on the wild side” during it: earlier, Lu compared shouted crowd “Lu”s to the name “Lou Reed”]
21 You Can’t Always Get What You Want (all verses)From Tom:
Beautiful night and packed house for first time back at the Chautauqua in 8 years. A lot of highlights —I think it was one of the first times that Car Wheels and Ghosts Of Highway 20 were put back to back. Since Lu has been mentioning Ghosts as being kind of like part two to Car Wheels it made sense -and putting them back to back you could see the connection. The new song We’ve Come Too Far To Turn Around is really starting to take shape. Foolishness got the first standing ovation and has really become a centerpiece song. And then finished up with a rousing 4 song encore. I think sublime would be best description of the night.
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