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  • #30494
    West Words
    Participant

    I don’t think the ‘non-prolific’ claim holds validity anymore –

    http://www.bbc.co.uk/music/reviews/9d4z

    BBC Review
    One of America’s finest songwriters releases another recommended collection.

    Nick Barraclough 2011-02-15

    You don’t often hear a track that speeds up these days. Studio techniques and protocols now seem to make such things impossible. The title-track of this album speeds up, though. And that, I would guess, comes from the fact that it, and the tracks surrounding it, were recorded with exuberance and passion, as well as expertise.

    Mind you, any musician would get off on the sort of material Lucinda Williams turns out. Far from prolific (since 1979 she’s managed about one release every three or four years), what she does write is shot-through with grit, acute perception and heart. And that’s just the lyrics. Her melodies and the songs’ structure are beautifully shaped and balanced. As well as her refined rock and blues sensibilities, she has one foot in the world of country music. It’s a pity that crowd’s writers don’t pay more attention to the depth of her work, as it could help Nashville recover some credibility.

    Don Was produced this. He must have loved it as much as the musicians did, and he obviously got it as nothing in the production interferes with the songs. In Soldier’s Song, where she sings the parallel stories of a serving soldier and his wife and child at home, the same chords, in the same sequence, go round and round, allowing the lyric to develop and reach its inevitable conclusion. Sweet Love does the same. No need for embellishment when what’s being sung about is so powerful.

    Instrumental embellishment is here, though. Lucinda likes to rock out as much as any, and her band can do it. The opening track, Buttercup, is a joy. Elvis Costello also gets stuck in, admirably with guitar on Seeing Black and duetting vocally on Kiss Like Your Kiss.

    Some find it hard to get past Lucinda’s slurred vocals. That makes as much sense as ignoring Bob Dylan for the same reason. In 2002, Time magazine named Williams America’s Best Songwriter. It might seem a silly thing for them to have said, but listening to this album it is hard to come up with any alternative.

    #45726
    TOverby
    Participant

    Good review -thanks for posting. But apparently he didn’t listen all the way because Elvis is not on the album version of Kiss Like Your Kiss.

    #45727
    punchdrunklove
    Participant

    hum, i didn’t know about that.

    and, just out of curiosity, why didn’t you opt to use the elvis version? btw, it’s not a re-record, right? to my untrained ears, lucinda’s vocal previewed on that swiss site sounds quite the same to the TB’s soundtrack version.

    #45728
    TOverby
    Participant

    We just wanted it to be different, and honestly Elvis thought the track was so great that he was hesitant to even make it a duet. It is the same recorded version but the album version is the new Bob Clearmountain mix and a different mastering also.

    #45729
    Tim
    Participant

    It will sound even better without Elvis’ voice on it. I think this is a great song, and hopefully it will be played at alot of the upcoming shows.

    #45730
    West Words
    Participant

    Cool dude Elvis’ comments 8) – (right on!)

    http://www.elviscostello.info/wiki/index.php/Kiss_Like_Your_Kiss

    “This is one of the best vocal performances of Lucinda’s recording career. I just tried to stay out of the way and add a little harmony where absolutely needed. It didn’t need a thing more. The show may make you want to bite someone on the neck but this song is going to make you wish you were loved or in love with someone enough so you could sing it to them.” — ElvisCostello.com/Yellow Press May, 2010.

    http://www.elviscostello.com/news/the-future-lies-ahead—/88

    First, I want to congratulate you for the Grammy nomination for “Kiss Like Your Kiss.”

    Somebody sent me a message about that and I said, “What nomination, I’m not even eligible.” [Laughs] So it was kind of a surprise, but I’m very pleased for Lucinda [Williams]. I think it’s one of the most beautiful songs she’s ever written and I just try to stay out of her way. They wanted us both to sing it. Truthfully, it sounds way better on her new record when she sings it alone. No, I’m not being falsely modest. It genuinely does sound better as a solo. But it’s a great song and I’m glad she got acknowledged.

    #45731
    punchdrunklove
    Participant

    i wasn’t complaining! now we have two versions (and i think this will be the only chance for comparing the new with the old mix)! i’m all for that.

    i think that a man singing with lucinda made the song more idyllic (“there will never be a spring so perfect again”), like they’re both on the same page, he’s just in love as she is. without his voice, the song will be quite sadder. not that anyone will think she’s alone in reminiscing about that spring, summer, autumn and winter (which is a smart way to say they had a full-on relationship), but, well, she is alone at that particular time. sounds like as if the thing could never be reenacted. what happened to all those perfect days? they still might have them in any case, but mr. costello’s presence is somewhat reassuring.

    either way, great song.

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