Dakota Jazz Club 7-24 Minneapolis

Courtesy of Stoger:

1 2 Kool 2 b [followed by “A Minneapolis audience is a great audience”]
2 Protection
3 Stolen Moments [with shout-outs to a. the “darn good lyricist” Tom Overby b. tour manager Travis Stephens and c. Jesse Malin for all contributing to the current album]
4 Car Wheels [“you know, the South and the Midwest have a lot in common”]
5 People Talkin’
6 Jukebox
7 Don’t Know How You’re Livin’ [for the “little brat” who is Lucinda’s brother]
8 Lake Charles
9 Bus to Baton Rouge [long, long intro, focusing on the “switches” in the song as a kind of corporal punishment growing up: the crowd’s quietly appalled reaction suggests maybe the Midwest is not so much like the South after all: personal note: I felt the wrath of the parental switch very much growing up in Tennessee, indeed I did]
10 Mama You Sweet [with an intro about mental illness and the suggestion that this song is more like a poem–Lu stops midway, calls for someone to come on stage, which both tour manager Travis and ass. tour manager John do. Apparently the electronic lyrics were not being displayed clearly. She finishes the song nicely, then says, “Sometimes I need help with my own lyrics.”
11 Dust
12 Let’s Get the Band Back Together
13 This is Not My Town
14 Out of Touch
15 You Can’t Rule Me
16 Righteously [“This is a dirty song about lust”]
______________________________________________________________
17 Jimmy Reed cover, called I think “Insurance”–the band makes it through, prompting Lu to say after, “Let’s do something I know”]
18 Changed the Locks
[awkward band intros at the very end, upon walk-off]

A night to remember, Lucinda being comfortable with the audience and the audience treasuring her. . .

Keymaster thinks the title is “Take Out Some Insurance”.