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March 22, 2016 at 1:04 pm #31892stogerParticipant
1 Protection
2 Real Live Bleeding
3 Metal Firecracker
4 Those 3 Days
5 Burning Bridges
6 West M
7 Ghosts of Highway 20 [with a tribute to the late Steve Young beforehand: Lu doesn’t do one of his songs but mentions ones like “Lonesome Ornery and Mean”–I myself recommend Shannon McNally’s cover of it on her record Coldwater. Here’s a thing all need to know about Steve Young: Gram Parsons was once HIS sideman on a Young record, not the other way around]
8 Drunken Angel [duo]
9 Bitter Memory [false start, a smiling Lu says “That’s not a good chord” and soldiers on: once again, she says Connie Britton was not the one who sung it on Nashville. Lu notes that Dan Auerbach produced that version and it differs from hers–“I don’t care”]
10 Fruits of My Labor
11 Can’t Close the Door on Our Love
12 Are You Down
13 Dust
14 Out of Touch
15 Foolishness
16 Changed the Locks
17 Honeybee18 Ain’t Got No Home [with the by now usual Trump business]
19 Joy {lu notes its evolution from “unrequited love song” through “political song” to her preferred phrase of “topical song”]
20 Rockin in the Free World {lu references not Neil in front of it, but Patti Smith’s quote about “the people’s power”]March 22, 2016 at 1:25 pm #55081Mike_DoranParticipantGreat setlist and info stoger.
Real Live Bleeding, Metal Firecracker and Those Three Days would have had me undone as they say.. 8)Great review in the Herald; http://www.bostonherald.com/entertainment/music/guestlisted/2016/03/last_best_show_lucinda_williams_at_the_paradise
March 22, 2016 at 1:37 pm #55082DDinNJParticipantThank you for posting the set list
March 22, 2016 at 7:12 pm #55083stogerParticipantYou are welcome all. Paradise will never go down as my favorite venue; in fact, I wouldn’t mind an alternative named Purgatory, or even Hell-Inferno. The sound was crappy, at least under the “balcony” where I was on ground floor much of the evening. Soundman Mark Humphreys invited me to stand by him upstairs tonight, which I might take him up on. His own preference would have been to be based on the ground floor. And heaven forbid if a Paradise employee noted you stepping over (or even on) the line running across the back of the room a few feet from the wall. Feeling a little warm in Hell (I mean Paradise) and desiring to shed your winter coat? Why sure, just traverse the entire length of the room, pay your three bucks, and scale down your layering. I mean, the coat check could not be further from the one entryway, a strange arrangement indeed; unless you arrive early, just wear it or tie it around your waist, for you stand little chance of squeezing by people. Want to buy merch? Better wait until people leave for the evening, for that area is hard stage left and almost as far from the entryway as the coat check. Perhaps it was fairly focused and intent up near the stage, but pockets of chat characterize the better part of the sides and the back of the house. Ballads or rockers, no matter: there’s always someone making his/her voice known midsong.
But I’m not bitter. Lu was happy, and the song selection was superb, as you can tell. St. Bernard, say a prayer for me as I ascend tonight.
March 22, 2016 at 8:34 pm #55084tonygKeymasterGlad you had a great time Mr. S.! š
March 25, 2016 at 3:09 am #55085LafayetteParticipantGreat report and you could tag this night as a Boston Proper experience. Good to see Boston II atoned for Boston I.
Safe travels, Perfesser!
March 30, 2016 at 12:31 am #55086tonygKeymasterFrom Tom:
Night 1
We donāt ask Lu to do 4 nights in a row very often as itās just too much wear and tear on her voice. But sometimes we just have to. Tarrytown was the fourth show of 4 in a row so a quiet night off in Boston was just what the doctor ordered, before two sold out shows at the Paradise. There certainly was a lot of energy and anticipation in the room on night 1 -it felt like a Saturday night, but as a friend of mine told me, āitās always Saturday night in Bostonā. Enough said. Great version of Bitter Memory with Lu and Stuart improvising the longer guitar ending -with Lu just telling him to keep going. Fruits Of My Labor got a big response as did Change The Locks. Of course the version of Woody Guthrieās I Aināt Got No Home with the newly discover4ed Trump was a big hit. That was followed by the one two punch of Joy and Rockinā In The Freeworld, with Lu noting that although she wrote Joy as a āloveā song, ever since the protesters in Wisconsin sang it a couple of years ago it has become a protest song.
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