FORUM › Forums › Lucinda Williams › Lucinda Shows › Bruxelles Setlist
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January 25, 2016 at 11:09 pm #31859swisschrisParticipant
Protection
Crescent City
Drunken Angel
West Memphis
Bus to Baton Rouge
World Without Tears
Ghosts of Highway 20
When I look at the world
Lake Charles
Temporary Nature
Dust
Are you down
Seeing Black
Unsuffer Me
Essence
Changed the looks
HoneybeeHard Time Killing Floor Blues
Joy(Shortened encore due to curfew, otherwise Lucinda would have continued, she was in such great spirits)
Great venue, great show, great crowd – absolutely worth the trip from Switzerland!
And a huge thanks to Lucinda for playing “Bus to Baton Rouge”, this is my favourite song!
More once I am back at home:-)January 25, 2016 at 11:48 pm #54889tonygKeymasterThx for the great report! 😀
January 26, 2016 at 2:44 pm #54890stogerParticipant@swisschris wrote:
Protection
Crescent City
Drunken Angel
West Memphis
Bus to Baton Rouge
World Without Tears
Ghosts of Highway 20
When I look at the world
Lake Charles
Temporary Nature
Dust
Are you down
Seeing Black
Unsuffer Me
Essence
Changed the looks
HoneybeeHard Time Killing Floor Blues
Joy(Shortened encore due to curfew, otherwise Lucinda would have continued, she was in such great spirits)
Great venue, great show, great crowd – absolutely worth the trip from Switzerland!
And a huge thanks to Lucinda for playing “Bus to Baton Rouge”, this is my favourite song!
More once I am back at home:-)Good work, Chris: I even like the Freudian slip in the next to last main set title.
Since Lu was chatty, allow me to elaborate:
After Crescent, Lu bemoans the noise her coat was making, suggesting she should have worn something else (changed the looks, in effect) “if you expect perfection up here, you,ve come to the wrong place”
Before Drunken, she allows as how she needs some duct tape up here for the coat, seguing of course into the Blaze Foley intro.
After West, Lu clarifies for MittelEuropa the distinction between Memphis, TN and West Memphis, AR.
AFter Bus, there is much talk of varying and quirky Louisiana pronunciation, with examples. She then mock apologizes for her songbook, then moves into a comparison between Louisiana gumbo and her writing styles.
WWT is sent out to the victims in Paris.
Lu worries she’s “too Pollyanna” before When I Look.
In the intro to temporary, she elaborates on the nature of the phone call with Miller which gave her this song: it was about the passing of former band member John Ciambotti.
Dust was followed bz much talk of the two Williamses (Hank and Miller) including names (John Clellan Holmes; John Ciardi; Flannery O’Connor) of writers her father knew; she then reveals her birth date to a clapping crowd.
Are You Down was followed yz band AND crew intros.
Per Unsuffer Me, Lu flashed back to Thurston Moore’s guest appearance in London; Ms. Hynde also mentioned
At end, Lu did bemoan “this curfew thing”, adding “you’ll have to come see us in a club sometimes” (which this venue had elements of anzway, with its generous standing area up front).
January 27, 2016 at 7:13 pm #54891swisschrisParticipantFreudian slip indeed 😉
I quickly typed the set list into my I-Phone after the concert and then later copied and posted it here on the forum without proof-reading it…Stoger has already added a lot of information about the concert, I will add some more:
The Ancienne Belgique really is a great venue, I have seen a concert there before (of the Belgian group Vaya Con Dios, way back in 2005). Generally great acoustics, affordable ticket prices (33 EUR for a concert ticket really is a bargain nowadays) and affordable prices for drinks as well – and free earplugs 😉
Honestly, I don’t remember when I last used earplugs during a concert. Nowadays, the volume at concerts often is too low for my taste. But when Buick6 started their set, it was so loud that actually every time Butch Norton hit the drums, my ears hurt. It got better when Lucinda started her set, but I had to use the earplugs again during the rockier part of Lucindas set. (Actually, several people seemed to have complained on Ancienne Belgique’s website about the rather high volume…)It was a pity that Ancienne Belgique seemed to have a curfew as Lucinda was so on fire that she would probably have continued for quite some time. She told the audience that this must have been one of her favourite venues, gigs and public ever! She mentioned several times that she was very appreciative for all the people who come out to one of her concerts. In my opinion the public really was great and very well behaved (in a positive way!): People listened attentively to the songs and when Lucinda was talking (which sadly isn’t the norm anymore these days – I have even witnessed concerts during which people were answering phone calls..) – and cheered before or after the songs to show their appreciation.
She seemed to have thoroughly enjoyed it that the public knew her songs (and not only the Car Wheels ones), for example when quite a few people cheered when she announced “Bus to Baton Rouge” and after the song she said: “The ice has broken now!” (For the first few songs she seemed a little bit nervous to me – but after Bus to Baton Rouge she definitely was very relaxed).
I liked it when she talked about her music stand with the lyric sheets: She said that it was her safety net and that she could concentrate on singing more. And added that more artists than one might realize would have a teleprompter.”But I can’t afford that, you know. Because then you would need to have another person running it and everything.” She said that she loved those performers where everything was perfect, but that they would do the same set EVERY SINGLE NIGHT (I loved how she stressed these words). She laughed and added, that she knows it as she has opened up for some of these artists 😀
For “Temporary Nature” she first wanted to accompany the song with her guitar – and then opted to just sing. Again she mentioned that this song was hard to get through.
It was really worth travelling all the way from Switzerland to Bruxelles for this concert. Lucinda was in great form, great voice and full of warmth – and my god can David, Stuart and Butch play! This was especially shown during the current arrangement of “Are you down”, during the last part of which Lucinda went offstage for a short period and just let her band play. I especially liked the part of the show all the way from “Bus to Baton Rouge” till “Are you down” – this part was unbelievably beautiful and I teared up more than once…
I really hope that there will be another European leg with more shows and countries in the not too distant future. And then I wouldn’t mind if Lucinda would play the WHOLE Ghosts of Highway 20-album, as it is not just a great album, it is a masterpiece!!! I listened to it over and over again on my I-Phone during the 6hour-train-journey from Zurich to Bruxelles and back – and now I will be enjoying the vinyl version as well.
January 27, 2016 at 9:09 pm #54892vmorrisParticipantThanks swisschris and stoger! I agree that it is a “rarity” when artists mix up the set lists these days, and I love that Lu does so EVERY SINGLE NIGHT 🙂
January 28, 2016 at 5:07 am #54893AnonymousInactiveThanks a lot for mentionining all the details of this remarkable, outstanding concert! It feels much better to be able to connect the reports with own memories instead of reading them and be jealous. Und weil Zürich so deutschsprachig ist wie Düsseldorf, von wo aus ich angereist war, gönne ich mir das Vergnügen, unkompliziert in meiner Heimatsprache fortzufahren. Bei mir war das Eis schon in dem Moment gebrochen, als Buick 6 loslegten, und ich habe jede Sekunde des Abends intensiv genossen. Dass ich “Plays Well With Others” unerwarteterweise dreifach signiert mit nach Hause nehmen konnte was the cherry on the cake. What a terrific band! In Lu’s words: “I could stand there all night long watching them play”! Zu laut fand ich es übrigens überhaupt nicht, in der Nähe des Mischpults war der Sound perfekt. “The Ghosts…” hatte ich letzten Freitag kurz nach Ladenöffnung und es läuft in Heavy Rotation. Unglaubliches Album – großartig!
February 11, 2016 at 8:04 am #54894AnonymousInactiveAddendum: Tift Merritt with a lovely version of World Without Tears: http://m.indyweek.com/music/archives/2016/02/04/save-the-pinhook-night-3-megafaun-tift-merritt-and-mac-mccaughan-push-the-pinhook-within-4000-of-salvation
February 11, 2016 at 8:10 am #54895AnonymousInactiveOops – Fruits of my labor (fruit of my scattiness) 🙂
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